Restr orin (800 × 603 piksel, ment ar restr : 420 Kio, seurt MIME : image/jpeg)
Tennet eo ar restr-mañ eus Wikimedia Commons ha gallout a ra bezañ implijet evit raktresoù all. Diskouezet eo deskrivadur he fajenn zeskrivañ amañ dindan.
English: Arcadian scene, the connection with the biblical story of Isaac and Rebecca is Claude's inscription on the tree stump in the centre. Another version without the inscription is called 'The Mill' (now in the 'Palazzo Doria Pamphilij' in Rome).
this painting and its pair belonged to the National Gallery when it first opened in 1824, it was purchased from the Angerstein collection.
Enskrivadurioù
Signed; Dated and inscribed
Notennoù
Landscape art
part of the group: The Bouillon Claudes; the Duc de Bouillon, general of the Papal army, commissioned Claude to paint this painting and the pendant 'Seaport with the Embarkation of the Queen of Sheba' in 1647 and both Old Testament stories were completed the following year; included in Liber Veritatis (LV 113)
Pendant painting: Seaport with the Embarkation of the Queen of Sheba
Aotre-implijout
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Landscape with the Marriage of Isaac and Rebecca (1648). Oil on canvas, 152.3 x 200.6 cm (59.9 x 78.9 in). National Gallery, London
Titouroù ouzhpenn zo er restr-mañ; bet lakaet moarvat gant ar c'hamera niverel pe ar skanner implijet evit he niverelaat. Mard eo bet cheñchet ar skeudenn e-keñver he stad orin marteze ne vo ket kenkoulz munudoù zo e-keñver ar skeudenn kemmet.
Aozer
Photography and Imaging, The National Gallery, London
Titl ar skeudenn
Claude, 1604/5? - 1682Landscape with the Marriage of Isaac and Rebekah ('The Mill')1648Oil on canvas, 152.3 x 200.6 cmBought, 1824NG12This painting is part of the group:'The Bouillon Claudes'(NG12; NG14)https://www.nationalgallery.org.uk/paintings/NG12