Kasandra : diforc'h etre ar stummoù

Endalc’h diverket Danvez ouzhpennet
Pajenn nevez : thumb|right|280px|[[Aias Oileos|Aias a ziframm Kasandra diouzh ar Palladion ma oa bet o klask repu, diabarzh ur gib gant tresadennoù ruz ...
 
Diverradenn ebet eus ar c'hemm
Linenn 1:
[[Image:Aias Kassandra Louvre G458.jpg|thumb|right|280px|[[Aias Oileos|Aias]] a ziframm Kasandra diouzh ar [[Palladion]] ma oa bet o klask repu, diabarzh ur gib gant tresadennoù ruz eus liver Kodros, war-dro [[-440|440]]-[[-430|430]] kent J.-K., mirdi Le Louvre]]
 
E mojennoù [[Hellaz]], '''Kasandra''' ([[henc'hresianeg]] Κασάνδρα, ''Kasandra'', pe Κασσάνδρα, ''Kassandra'', Κεσάνδρα, ha Κατάνδρα<ref>[[Hjalmar Frisk]] (1970) a skriv "etimologiezh dizispleg", hag a veneg martezeadennoù disheñvel kavet e levr Schulze, ''Kleine Schriften'' (1966), 698, Hoffmann ''Glotta'' 28, 52, Sturtevant ''Class. Phil.'' 21, 248f., J. Davreux ''La légende de la prophétesse Cassandre'' (Paris 1942) 90ff., Carnoy ''Les ét. class.'' 22, 344.</ref>, anvet ivez '''Aleksandra'''<ref>E barzhoniezh [[Likofron]], ''Alexandra'', zo gouestlet da Gasandra.</ref>) a oa merc'h ar roue [[Priam]] hag ar rouanez [[Hekabe]] eus [[Troia]]. [[Apollon]] a roas dezhi an donezon da ziouganañ an amzer da zont abalamour d'he c'hened. En ur vojenn all e tremenas un nozvezh e templ Apollon, ha naeron an templ a lipas he diskouarn kement ha ken bihan ma oa gouest da glevet an amzer da zont adal neuze<ref> Dont a ra an dodenn-se en-dro e [[mitologiezh]] [[Henc'hres]], daoust ma tegas a-wezhioù ar varregezh da gompren yezhoù al loened kentoc'h evit gwelet an amzer da zont. Keñveriañ gant [[Melampos]]; Athena he dije gwalc'het divskouarn [[Tiresias]]</ref>. Koulskoude, p'he doa nac'het karout an doue, Apollon a strobinellas anezhi evit ma ne vefe ket kredet gant den ebet. Goude diskardisoc'h [[Brezel Troia]] ha diskar ar geoded e oa kemeret da sklavez ha da serc'h gant [[Agamemnon]] hag e voe lazhet diwar zorn [[Klitemnestra]] war un dro gantañ.
 
<!--
Linenn 21:
In [[Aeschylus]]' ''[[Oresteia|Agamemnon]]'', the king, treading the scarlet cloth laid down for him, walks offstage to his sure death at line 972. After the chorus's ode of foreboding, time is suspended in Cassandra's "[[mad scene]]", which does nothing to advance the action in any way.<ref>{{Cite journal |first=Seth L. |last=Schein |title=The Cassandra Scene in Aeschylus' 'Agamemnon' |journal=Greece & Rome |series=Second Series |volume=29 |issue=1 |year=1982 |pages=11–16 |doi=10.1017/S0017383500028278 }}</ref> She has been onstage, silent and ignored. Her madness that is unleashed now is not the physical torment of other characters in [[Greek tragedy]], such as in [[Euripides]]' ''Heracles'' or [[Sophocles]]' ''Ajax'',<ref>Or descriptions of madness, such as that of Heracles in ''[[The Women of Trachis]]'' or [[Io (mythology)|Io]] in ''Prometheus Bound'', two further familiar examples cited by Schein 1982:11.</ref> but she speaks, disconnectedly and transcendent, in the grip of her psychic possession by Apollo,<ref>The chorus find her to be "crazed in mind and transported by a god" (''Agamemnon'', 1140).</ref> witnessing events past and future. "She evokes the same awe, horror and pity as do [[schizophrenics]]", an observer<ref>Schein 1982:12</ref> has noted, "who often combine deep, true insight with utter helplessness, and who retreat into madness." Eduard Fraenkel remarked<ref>Fraenkel, ''Kleine Beiträge zur klassische Philologie'' , vol. I (Rome) 1964, 344-48, 375-87, noted in Schein 1982:11 note 6</ref> on the powerful contrasts between declaimed and sung dialogue in this scene. The frightened and respectful chorus are unable to comprehend her. She goes to her inevitable offstage murder by [[Clytemnestra]] with full knowledge of what is to befall her.<ref>Analyses of the Cassandra scene are in [[Bernard Knox]] ''Word and Action: Eassays on the Ancient theatre'' (Baltimore and London: Penguin) 1979:42-55; and more briefly, in Anne Lebeck, ''The Oresteia: A study in language and structure'' (Washington) 1971:52-58.</ref>
 
 
==Greek and Latin sources==
*[[Homer]]. ''[[Iliad]]'' XXIV, 697-706; ''[[Odyssey]]'' XI, 405-434;
*[[Aeschylus]]. ''[[Agamemnon]]''
*[[Euripides]]. ''[[Trojan Women]]''; ''[[Electra]]''
*[[Apollodorus]]. ''[[Bibliotheke]]'' III, xii, 5; ''[[Epitome]]'' V, 17-22; VI, 23
*[[Virgil]]. ''[[Aeneid]]'' II, 246ff
*[[Lycophron]]. ''[[Alexandra]]''
 
== Modern adaptations ==
Linenn 61 ⟶ 55:
-->
 
== NotennoùMammennoù ==
*[[HomerHomeros]]. ''[[IliadIlias]]'' XXIV, 697-706; ''[[OdysseyOdisseia]]'' XI, 405-434;
{{reflist|2}}
*[[AeschylusAesc'hulos]]. ''[[Agamemnon (Aesc'hulos)|Agamemnon ]]''
*[[Euripides]]. ''[[TrojanMaouezed WomenTroia]]''; ''[[ElectraElektra (euripides)|Elektra]]''
*[[ApollodorusApollodoros]]. ''[[BibliothekeBiblioteke]]'' III, xiiXII, 5; ''[[Epitome]]'' V, 17-22; VI, 23
*[[VirgilVirgilius]]. ''[[AeneidAeneis]]'' II, 246ff
*[[Likofron]]. ''[[Aleksandra (Likofron)|Aleksandra]]''
 
== Levrlennadur ==
Linenn 74 ⟶ 73:
*Virgilius, ''An Aeneis'' II.246-247, 341-346, 403-408
*[http://www.theoi.com Theoi Project: Cassandra, mammennoù klasel troet e saozneg]
 
== Notennoù ==
{{reflist|2}}
 
 
[[rummad:Kostezenn an Droianed e Brezel Troia]]