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Endalc’h diverket Danvez ouzhpennet
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Gant an daolenn-maén eo bet levezonet [[Peter Paul Rubens]] ha [[Diego Velázquez]].
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File:Peter Paul Rubens - Venus at her Toilet - WGA20278.jpg|''Venus at her Toilet'' bygant [[Peter PaulPieter Pauwel Rubens ]], aboutwar-dro 1608. This is believed to be a copy Rubens made of the Titian commissioned by [[PhilipFelipe II of Spain]].
File:Rubens Venus at a Mirror c1615.jpg|''Venus at a Mirror'' bygant Peter Paul Rubens (1615). Rubens adapted the theme to his own style.
File:RokebyVenus.jpg|The ''[[Rokeby Venus]]'' bygant [[Diego Velázquez]]. (1599–1660). CompletedGraet etre between 1647 andha 1651. Velazquez would have seen a copy of Titian's ''Venus with a Mirror'' which was commissioned by King Philip II of Spain.
File:Simon Vouet - Toilet of Venus - WGA25371.jpg|[[Simon Vouet]], ''The Toilet of Venus'', about 1628. Simon Vouet lived in Italy from 1613 to 1627, and was certainly familiar with the work of Titian. He imported the Italian style into France.
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The pose of the Venus resembles the classical statues of the [[Venus de' Medici]] in Florence or the [[Capitoline Venus]] in Rome, which Titian may have seen when he wrote that was "learning from the marvelous ancient stones." The painting is said to celebrate the ideal beauty of the female form, or to be a critique of vanity, or perhaps both.<ref>Site of the National Gallery of Art, Washington D.C.</ref> It was copied by several later artists, including [[Peter Paul Rubens]] and [[Anthony van Dyck]].<ref name=PH322>Peter Humfrey (2007), p. 322.</ref>
 
 
 
X-rays of the painting have revealed that Titian painted it over a double portrait which he had abandoned. Titian kept the red cloak of one of the figures in the abandoned painting and placed it under Venus's arm.<ref>Shapley, F.R. "Titian's ''Venus with a Mirror''" – ''Studies in the History of Art''. 4–5, 1971–72. pp. 93–106.</ref> The use of the cloak from the earlier painting probably played a large part in the composition of the new painting.<ref name=PH322 />
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==Works that may have influenced Titian==
The pose of the painting may have been influenced by Ancient Greek and Roman statues of Venus Titian could have seen in Rome and Florence. He was also influenced by his teacher [[Giovanni Bellini]], who was the leader of the [[Venetian school (art)|Venetian school]] of painters, known for their masterful use of color.
 
 
==Provenance==
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In 1931, in order to earn foreign currency for the first of the [[Five-Year Plans for the National Economy of the Soviet Union]], [[Joseph Stalin]] and the Soviet government secretly sold the painting, along with a number of other masterpieces, to a syndicate of art dealers, who sold it to the American collector [[Andrew Mellon]], who wished to create a national art museum for the United States. Mellon donated it to the United States Government in 1937.<ref>See [[Soviet sale of Hermitage paintings]].</ref> It was one of the first masterpieces to be displayed in the [[National Gallery of Art]] in Washington when it opened in 1941.<ref name=NI174 />
 
 
 
 
 
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==Notennoù==
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