Gwener he melezour : diforc'h etre ar stummoù
Endalc’h diverket Danvez ouzhpennet
Diverradenn ebet eus ar c'hemm |
Diverradenn ebet eus ar c'hemm |
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Linenn 15:
'''Venus with a Mirror''' zo un daolenn graet gant [[Tizian]] war-dro 1555 hag a zo bremañ er [[National Gallery of Art]] e [[Washington, DC]].
Meur a daolenn a reas an arzour gant Gwener, met honnezh eo an hini gentañ, a greder, hag an hini nemeti graet
==An daolenn==
Emzalc'h Venus amañ a denn kenañ da hini an delwennoù klasel, ar [[Venus de' Medici]] en [[Firenze]] pe ar [[Capitoline Venus]] en Roma, a c'hallje bezaén bet gwelet gant Tizian pa skrivas en doa "desket diwar ar vein kozh."
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Linenn 27 ⟶ 34:
==Arzourien levezonet ==
Gant an daolenn-
<gallery>
File:Peter Paul Rubens - Venus at her Toilet - WGA20278.jpg|''Venus at her Toilet'' gant [[ Pieter Pauwel Rubens ]], war-dro 1608. Homañ a vefe uneillivadur graet gant Rubens eus an hini livet gant Tizian diouzh goulenn [[Felipe II]], [[roue Spagn]].
File:Rubens Venus at a Mirror c1615.jpg|''Venus at a Mirror'' gant Peter Paul Rubens (1615). Azasaet gant Rubens ouzh e zoare-eñ.
File:RokebyVenus.jpg|
File:Simon Vouet - Toilet of Venus - WGA25371.jpg|[[Simon Vouet]], ''The Toilet of Venus'', war-dro 1628. Simon Vouet a vevas en Italia adal 1613 betek 1627, hag anaoudegezh en devoa sur eus labour Tizian. Gantaén e voe degaset dareoù al liverezh italian da Vro-C'hall.
</gallery>
The painting itself was the inspiration for the protagonist Severin's imagination
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▲The pose of the Venus resembles the classical statues of the [[Venus de' Medici]] in Florence or the [[Capitoline Venus]] in Rome, which Titian may have seen when he wrote that was "learning from the marvelous ancient stones." The painting is said to celebrate the ideal beauty of the female form, or to be a critique of vanity, or perhaps both.<ref>Site of the National Gallery of Art, Washington D.C.</ref> It was copied by several later artists, including [[Peter Paul Rubens]] and [[Anthony van Dyck]].<ref name=PH322>Peter Humfrey (2007), p. 322.</ref>
X-rays of the painting have revealed that Titian painted it over a double portrait which he had abandoned. Titian kept the red cloak of one of the figures in the abandoned painting and placed it under Venus's arm.<ref>Shapley, F.R. "Titian's ''Venus with a Mirror''" – ''Studies in the History of Art''. 4–5, 1971–72. pp. 93–106.</ref> The use of the cloak from the earlier painting probably played a large part in the composition of the new painting.<ref name=PH322 />
Linenn 53 ⟶ 58:
In 1931, in order to earn foreign currency for the first of the [[Five-Year Plans for the National Economy of the Soviet Union]], [[Joseph Stalin]] and the Soviet government secretly sold the painting, along with a number of other masterpieces, to a syndicate of art dealers, who sold it to the American collector [[Andrew Mellon]], who wished to create a national art museum for the United States. Mellon donated it to the United States Government in 1937.<ref>See [[Soviet sale of Hermitage paintings]].</ref> It was one of the first masterpieces to be displayed in the [[National Gallery of Art]] in Washington when it opened in 1941.<ref name=NI174 />
{{commons category|Venus with a Mirror (Titian)}}▼
*Humfrey, Peter (2007), ''Titien, Tout l'oeuvre peint'', Ludion, 2007, ISBN 978-90-5544-689-6▼
*Nicholas Ilyin and Natalia Semonova, (2000), ''Prodanniy Sokrovischye Rossiyi'', Trilisnik Publishers, Moscow, ISBN 5-89480-027-7▼
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{{Titian}}
Linenn 62 ⟶ 63:
==Notennoù==
{{reflist}}
▲{{commons category|Venus with a Mirror (Titian)}}
▲*Humfrey, Peter (2007), ''Titien, Tout l'oeuvre peint'', Ludion, 2007, ISBN 978-90-5544-689-6
▲*Nicholas Ilyin and Natalia Semonova, (2000), ''Prodanniy Sokrovischye Rossiyi'', Trilisnik Publishers, Moscow, ISBN 5-89480-027-7[[Rummad: National Gallery of Art]]
[[Rummad: Livadurioù Tizian]]
[[Rummad: Venus]]
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