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Linenn 4: These tone-changing processes are active in all tonal languages, but they seem to be more common in some than in others. E [[sinaeg\|sinaeg mandarinek]], da skouer, ez eus peder zonenn bennañ: an donenn "blaen-uhel" (pe "kentañ tonenn", sinaeg: 陰平/阴平 ''yīnpíng''); an donenn "war gresk" (pe "eil tonenn", sinaeg: 陽平/阳平 ''yángpíng''); an donenn "digresk-kresk" (pe "trede tonenn", sinaeg: 上聲/上声 ''shǎngshēng'' pe ''shàngshēng''); hag; an donenn "war digresk" (pe "pevare donenn", sinaeg: 去聲/去声 ''qùshēn''). Hervez reolenn sandhi tonennel kavet an aliesañ ~~that~~pa adegouezh ~~low-tone~~div ~~syllable~~trede ~~(third~~tonenn ~~tone) is changed to a rising tone~~renk-ouzh-renk (~~second tone~~˨˩˦) ~~when~~e itteu istonen ~~followed by another low tone.~~ar ~~This is demonstrated in the phrase ''nǐhǎo'' (~~[[~~pinyin~~silabenn]], ~~[[Chinese~~gentañ ~~character]]s~~da ~~你好),~~vezañ ~~the~~un ~~most~~eil ~~common~~tonenn ~~Mandarin~~(˧˥) ~~greeting,~~keit ~~which~~ha isma ~~actually~~teu ~~pronounced~~an ~~''níhǎo''.~~eil ~~These~~silabenn ~~tone-changing~~da ~~processes~~vezañ ~~are~~un ~~active~~hanter intrede ~~all~~tonenn ~~tonal languages~~(˨˩), ~~but they seem to be more common in some than in others~~d.s.: : 老鼠 ([[pinyin]]: ''lǎoshǔ'') [ lao˨˩˦ + ʂu˨˩˦ ] > [ lao˧˥ʂu˨˩ ] While certain languages (such as Mandarin in the above example) exhibit a fairly constant set of rules for Tone Sandhi, other forms, such as [[Hakka (linguistics)\|Hakka]], are more complex. [[Southern Min]] is still more complex, with the most complex systems found in [[Wu (linguistics)\|Wu]] and [[Jin (linguistics)\|Jin]].

Sandhi tonennel : diforc'h etre ar stummoù