Praksiteles : diforc'h etre ar stummoù
Endalc’h diverket Danvez ouzhpennet
Diverradenn ebet eus ar c'hemm |
Diverradenn ebet eus ar c'hemm |
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Linenn 1:
[[Image:Aphrodite Braschi Glyptothek Munich 258.jpg|thumb|right|190px|''Afrodite Braschi'', e doare [[Afrodite Knidos]] — unan eus ar re surañ lakaet war gont Praksteles, [[Gliptoteka München]] (Inv. 258)]]
'''Praksiteles''' (Πραξιτέλης e [[gregach]]), a oa ganet war-dro [[-400|400 kent JK]], marvet a-raok [[-326|326 kent JK]], a oa
<!--[[Varron (écrivain)|Varron]] écrit ainsi : « Grâce à l'excellence de son talent, Praxitèle n'est inconnu d'aucun homme un tant soit peu cultivé<ref>« ''Praxiteles qui propter artificium egregium nemini paulum modo humaniori ignotus'' », traduction citée par Pasquier, « Exposer Praxitèle », catalogue de l'exposition ''Praxitèle'', p. 18. ''De l'homme'', cité par {{AulNui}} (XIII, 16).</ref>. »
Sa période d'activité va de [[-375|375]] à [[-335|335 avant J.-C.]]
'''Praxiteles''' ([[Ancient Greek]]: Πραξιτέλης, English {{IPAEng|prækˈsɪtɨliːz}}) of [[Athens]],
While no indubitably attributable sculpture by Praxiteles is extant, numerous copies of his works have survived; contemporary [[author]]s, including [[Pliny the Elder]], wrote of his oeuvres; and coins engraved with [[silhouette]]s of his various famous [[statuary type]]s from the period still exist. A supposed relationship between Praxiteles and his beautiful model, the [[Thespiae|Thespian]] [[courtesan]] [[Phryne]], has inspired speculation and interpretation in works of art ranging from [[painting]] ([[Jean-Léon Gérôme|Gérôme]]) to [[comic opera]] ([[Camille Saint-Saëns|Saint-Saëns]]) to [[shadow puppet]]ry ([[Charles Maurice Donnay|Donnay]]).
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