Pietro Aretino : diforc'h etre ar stummoù

Diverradenn ebet eus ar c'hemm
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Apart from both [[sacred and profane]] texts— a satire of high-flown [[Renaissance]] [[neo-Platonic]] [[dialog]]ues is set in a [[brothel]]— and [[comedies]] such as ''La cortigiana'' and ''La talenta'', Aretino is remembered above all for his letters, full of literary flattery that could turn to [[blackmail]]. They circulated widely in manuscript and he collected them and published them at intervals winning as many enemies as it did fame, and earned him the dangerous nickname [[Ariosto]] gave him: ''flagello dei principi'' ("scourge of princes"). The first [[English language|English]] translations of some of Aretino's racier material have been coming onto the market recently.
''La cortigiana'' zo un drevezaden eus ''[[Il Cortegiano]]'', gant [[Baldassare Castiglione]]; E-barzh eo kontet troioù un denjentil a Siena a ya da Roma da vout [[kardinal]] . Ur serc'h a garfe kaout ivez met sevel a ra karantez ennaén ouzh ur plac'h en he frenestr.
''La cortigiana'' is a brilliant parody of [[Baldassare Castiglione|Castiglione’s]] ''[[The Book of the Courtier|Il Cortegiano]]'', and features the adventures of a Sienese gentleman, Messer Maco, who travels to Rome to become a [[cardinal (Catholicism)|cardinal]]. He would also like to win himself a mistress, but when he falls in love with a girl he sees in a window<!--, he realizes that only as a courtier would he be able to win her. In mockery of Castiglione's advice on how to become the perfect courtier, a charlatan proceeds to teach Messer Maco how to behave as a courtier: he must learn how to deceive and flatter, and sit hours in front of the mirror.
... The early portrait is a psychological study of alarming modernity. Clement VII made Aretino a [[Knight of Rhodes]], and [[Julius III]] named him a Knight of St. Peter, but the chain he wears for his [[1545]] portrait may have merely been jewelry. In his strictly-for-publication letters to patrons Aretino would often add a verbal portrait to Titian's painted one.
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