Paolo Uccello : diforc'h etre ar stummoù

Endalc’h diverket Danvez ouzhpennet
D Robot ouzhpennet: uk:Паоло Учелло
D Robot kemmet: th:เพาโล อูเชลโล; Kemm dister
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[[ImageSkeudenn:Paolo di Dono, dit Uccello - La bataille de San Romano la contre-attaque de Micheletto da Cotignola, 1455.jpg|thumb|400px| [[Emgann San Romano]] :unan eus an teir fanell aet a-skign dre ar bed<br />''Enepstourmad Micheletto da Cotignola'' (1455), [[Mirdi al Louvre]], [[Pariz]]]]
[[Skeudenn:Uccello Portrait of a Lady MET.jpg|250px|thumb|right|Poltred un itron (war-dro 1450)<br /><small>[[Metropolitan Museum of Art]], [[New York]]</small>]]
 
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== E vuhez ==
Paolo Uccello zo ul livour eus ar c'h-[[Quattrocento]] en deus merket istor al liverezh dre vestroniañ reolennoù nevez an [[diabellwelad]]. Deskiñ a reas ar vicher e ti [[Lorenzo Ghiberti]] entre [[1407]] ha [[1414]] pe seik, hag eno e reas anaoudegezh gant livourien brudet evel [[Masolino da Panicale| Masolino]], [[Donatello]] ha [[Michelozzo]].
 
Labourat a ra war-dro peurechuiñ chapel-vadeziñ Firenze, gant Michelozzo.
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{| align="left" style="background-color:#C0E0F0"
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|Meneget eo Paolo Uccello gant [[Giorgio Vasari]] en e levr ''[[Le Vite]]'' : <br /> Page ?? - embannadur 1568
| [[ImageSkeudenn:036 le vite, paolo uccelo.jpg|center|80 px]]
|}
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Uccello was married to Tomassa Malifici by 1453, because in that year Donato (named after Donatello) was born, and in 1456 his wife gave birth to Antonia.
 
In 1465 Uccello was in [[Urbino]] with his son Donato, where he was engaged until 1469 working for the Confraternity of Corpus Domini, a brotherhood of laymen. He painted part of the Corpus Domini [[predella]] with the ''Miracle of the Profaned Host.'' (The main panel was finished by [[Joos van Wassenhove|Justus van Ghent]] with a scene from the "Communion of the Apostles" in 1474.) Ucello's predella comprises six scenes, with meticulous naturalistic interiors, related to the antisemitic myth of [[host desecration]], based on a supposed event in Paris in 1290. It was an effort by Duke [[Frederick of Montefeltro]] of Urbino to vilify the Jews, while tolerating somewhat Jewish activity.<ref>[http://findarticles.com/p/articles/mi_m0422/is_4_85/ai_111738112/pg_1 Katz, Dana E., ''The contours of tolerance: Jews and the Corpus Domini Altarpiece in Urbino''] The Art Bulletin:85 (December 2003)</ref> Not all these scenes are unanimously attributed to Paolo Uccello.[[Image:Uccelo host burning.jpg|thumb|left|350px|A scene in Paolo Uccello's Corpus Domini [[predella]] (c. 1465-1468), set in a Jewish pawnbroker's home. Blood in the background emanates from [[Host (Holy Communion)|the Host]], which the moneylender has attempted to cook, and seeps under the door. This story first entered the Italian literary tradition via [[Giovanni Villani]] (c. 1280&ndash;13481280–1348) and his ''[[Nuova Cronica]]''.]]
 
[[Image:Uccello mazzocchio2.jpg|thumb|160px|right|Above: Painting of a [[mazzocchio]] in [[The Battle of San Romano]], c. 1435-1440.<br>Below: Perspective study of a [[torus]], c. 1430-1440.]]
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== Lennadurezh ==
* [[Giorgio Vasari]], [[Le Vite]]; e saozneg: ''Lives of the Artists, Part 1''. Penguin Classics, 1965.
* D'Ancona, Paola. ''Paolo Uccello''. New York: McGraw Hill, 1961.
* [http://www.vqronline.org/viewmedia.php/prmMID/7377 Barolsky, Paul. "The Painter Who Almost Became a Cheese" ''Virginia Quarterly Review'', 70/1 (Winter 1994).]
* Borsi, Franco & Stefano. ''Paolo Uccello''. London: Thames & Hudson, 1994. *Borsi, Stefano. ''Paolo Uccello''. Art Dossier. Florence: Giunti, nd.
* Carli, Enzo. ''All the Paintings of Paolo Uccello''. The Complete Library of World Art. London: Oldbourne, 1963. Troet diwar an italianeg.
* Paolieri, Annarita. ''Paolo Uccello, Domenico Veneziano, Andrea del Castagno''. Library of Great Masters. New York: SCALA/Riverside, 1991.
* Pope-Hennessy, John. ''Paolo Uccello: Complete Edition''. 2nd ed. London: Phaidon, 1969. (the other important English-language monograph)
* {{cite journal| author = Marilyn Aronberg Lavin| title=The Altar of Corpus Domini in Urbino: Paolo Uccello, Joos Van Ghent, Piero della Francesca|journal= Art Bulletin|volume= 49|year=1967|pages= 1–24| doi=10.2307/3048425}}
* James Bloedé, ''Paolo Uccello et la représentation du mouvement : regards sur La bataille de San Romano'', Paris, École nationale supérieure des beaux-arts, " Espaces de l'art ", réédition 2006. {{ISBN|2840560399}}
* [[Jean-Louis Schefer]], ''Le déluge, Paolo Uccello'', Paris, POL, 1999. {{ISBN|2867446767}}
 
== Filmadurezh ==
* Video : ''Vacarmes en Toscane, Paolo Uccello'', savet gant [[Alain Jaubert]], en dastumad [[Palettes]]. Diwar-benn al livour dre vras, diwar-benn ''Emgann San Romano'' dreist-holl.
 
 
== Liammoù diavaez ==
* [http://easyweb.easynet.co.uk/giorgio.vasari/uccello/uccello.htm Excerpts from Vasari's Life of Paolo Uccello]
* [http://www.wga.hu/frames-e.html?/bio/u/uccello/biograph.html Web Gallery of Art: Paolo Uccello]
* [http://www.mega.it/eng/egui/pers/pucc.htm Florence Art Guide: Paolo Uccello]
* [http://www.paolouccello.org www.paolouccello.org - Works by Paolo Uccello]
* [http://www.fionline.it/paolouccello/ Paolo Uccello Homepage] (in Italian)
* [http://www.georgehart.com/virtual-polyhedra/uccello.html Paolo Uccello's Polyhedra]
* [http://rsparlourtricks.blogspot.com/2005/12/getting-some-perspective.html Ron Schuler's Parlour Tricks: Getting Some Perspective]
 
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