Eleonora di Garzia di Toledo : diforc'h etre ar stummoù

Endalc’h diverket Danvez ouzhpennet
Linenn 10:
 
==He marv==
E 1576 e voe kaset gant he fried da g-[[Cafaggiolo]], hag eno, d'an [[9 a viz Gouhere]], e krougas anezhi gant roll ur c'hi. [[Francesco Iañ de' Medici]], dug-meur war-lerc'h Cosimo, a seblantas a-du gant ar muntr, ha netra ne damallas d'e vreur Pietro.
 
Betek-hen ne ouied ket pikol tra diwar-bouez Leonora di Garzia di Toledo, ha n'anavezed ket ar vaouez-se a weler e meur a boltred . Hiroc'h e ouzer hiziv dre ma'z eo bet studiet an dihelloù diwar-benn he c'heniterv [[Isabella de' Medici]], ha meur a dra voutin zo etrezo o-div.
 
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Until recently, little was known of Leonora di Garzia di Toledo, and she was not identified as the sitter of several portraits of her. The facts of her life have emerged from the growing scholarship on Isabella de' Medici, with whom she has much in common.[4] In the view of art historian Gabrielle Langdon, "Her story is valuable in revealing attitudes and legalities attendant on the lives and decorum of women in the early-modern Italian court".[5]
 
 
Until recently, little was known of Leonora di Garzia di Toledo, and she was not identified as the sitter of several portraits of her. The facts of her life have emerged from the growing scholarship on Isabella de' Medici, with whom she has much in common.[4] In the view of art historian Gabrielle Langdon, "Her story is valuable in revealing attitudes and legalities attendant on the lives and decorum of women in the early-modern Italian court".[5]