An tri frederour : diforc'h etre ar stummoù

Endalc’h diverket Danvez ouzhpennet
D r2.5.2) (Robot ouzhpennet: es:Los tres filósofos
Diverradenn ebet eus ar c'hemm
Linenn 12:
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'''I Tre filosofi''', pe '''An tri frederour''', zo un eoullivadur graet gant al livourlivourien [[veneziat]] [[Giorgione]] ha [[Sebastiano del Piombo]], war-dro 1505, evit un noblañs eus kêr [[Venezia]], Taddeo Contarini. Gwelout a c'haller an oberenn e [[Kunsthistorisches Museum]] [[Vienna]].
 
 
Dont a ra anv an oberenn eus ur skrid diwar zorn Marcantonio Michiel, a welas anezhi en ur genkiz e Venezia.
 
==An tudennoù==
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Alegoriennoù eo an tudennoù: ur c'hozhiad barvek, un Arab hag ur paotr yaoank e-kreiz ar maezioù.
 
 
However, the three figures portrayed are clearly allegorical: they are an old bearded man, an Arab and a sitting young man, in a nature landscape. In the background is a village with some mountains, the latter marked by a blue area whose meaning is unknown. The young man is observing a cave on the left of the scene, and apparently measuring it with some instruments.
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However, the three figures portrayed are clearly allegorical: they are an old bearded man, an Arab and a sitting young man, in a nature landscape. In the background is a village with some mountains, the latter marked by a blue area whose meaning is unknown. The young man is observing a cave on the left of the scene, and apparently measuring it with some instruments.
 
The general meaning of the work has not been clearly defined by the scholars. According to a famous interpretation, the three men would not be the three [[Magi]] facing Jesus' grotto, but they would represent the three stages of the human thought: in the Renaissance (the young man), in the Arabian (the man with [[turban]]) and the Middle Age one (the old man). According to other, they should instead be an allegory of three ages of man. Other hypothesis connect it to astrological and alchemical theories, being Contarini a scholar of those matters.