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Restr:Jean-Paul Flandrin - Odalisque with Slave - Walters 37887.jpg

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Diverradur

Odalisque with Slave  wikidata:Q3047015 reasonator:Q3047015
Arzour
Jean-Auguste-Dominique Ingres  (1780–1867)  wikidata:Q23380 s:fr:Auteur:Jean-Auguste-Dominique Ingres q:fr:Jean-Auguste-Dominique Ingres
 
Jean-Auguste-Dominique Ingres
Anvioù all
Dominique Ingres
Deskrivadur French livour, politiker, violoñser, drawer, printmaker ha(g) graphic artist
Deiziad ganedigezh/marvedigezh 29 Eost 1780 Edit this at Wikidata 14 Genver 1867 Edit this at Wikidata
Lec'h ganedigezh/marvedigezh Montalban Pariz
Lec'hiadur al labour
Dampierre-Saint-Nicolas; Meung-sur-Loire; Pariz; Toloza; Versailhez; Ancona; Firenze; Napoli; Orvieto; Ravenna; Roma; Siena; Urbino Edit this at Wikidata
Authority file
artist QS:P170,Q23380
Paul Flandrin  (1811–1902)  wikidata:Q3371528
 
Paul Flandrin
Anvioù all
Jean-Paul Flandrin
Deskrivadur French painter ha(g) lithographer
Deiziad ganedigezh/marvedigezh 28 Mae 1811 Edit this at Wikidata 8 Meurzh 1902 Edit this at Wikidata
Lec'h ganedigezh/marvedigezh Lyon 6th arrondissement of Paris
Lec'hiadur al labour
Italia (1833–1838) Edit this at Wikidata
Authority file
artist QS:P170,Q3371528
image of artwork listed in title parameter on this page
Titl
galleg:
Odalisque à l'esclave

Odalisque with Slave
title QS:P1476,fr:"Odalisque à l'esclave"
label QS:Lfr,"Odalisque à l'esclave"
label QS:Len,"Odalisque with Slave"
label QS:Lfa,"کنیزک با یک برده"
label QS:Llt,"Odaliska su vergu"
Seurt traezenn livadur / artwork copy Edit this at Wikidata
Doare Noazhded en arz Edit this at Wikidata
Deskrivadur
English: An odalisque (female member of a harem) reclines exposed in the harem listening to a servant's lute music. This painting was commissioned by King Wilhelm I of Württemberg and was executed by Ingres with the assistance of his pupil Paul Flandrin. A version of this subject painted three years earlier shows the odalisque in an enclosed room rather than with the garden vista in the background (Fogg Art Museum, Cambridge, Massachusetts). This exotic composition, which was inspired by a passage from Lady Mary Wortley Montagu's Turkish Letters (1763), may have been conceived by Ingres in response to his rival Eugène Delacroix's success as a painter of Near Eastern subjects.
Deiziad 1842
date QS:P571,+1842-00-00T00:00:00Z/9
Mod oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Mentoù uhelder: 76 cm; led: 105 cm
dimensions QS:P2048,76U174728
dimensions QS:P2049,105U174728
institution QS:P195,Q210081
Niverenn renabl
37.887
Place of creation Rome, Italy
Istor ar pezh
  • Wilhelm I, King of Wurtemberg, 1842, by commission
  • Delessert [date and mode of acquisition unknown]
  • Baron Gustave de Rothschild, [date and mode of acquisition unknown]
  • Sir Phillip Sassoon, London [date and mode of acquisition unknown]
  • Wildenstein and Co., New York [date and mode of acquisition unknown]
  • 1925: purchased by Henry Walters, Baltimore
    [with encouragement of Bryson Burroughs, Wildenstein & Co.]
Diskouezadegoù From Ingres to Gauguin: French Nineteenth Century Paintings Owned in Maryland. Baltimore Museum of Art, Baltimore. 1951. Inaugural Exhibition at the Fort Worth Art Center. Fort Worth Art Center, Fort Worth. 1954. Ingres in American Collections. Paul Rosenberg & Co., New York, New York. 1961. Triumph of French Painting: Masterpieces from Ingres to Matisse. Baltimore Museum of Art, Baltimore; Philbrook Museum of Art, Tulsa; Norton Museum of Art, West Palm Beach; Royal Academy of Arts, London; Albright-Knox Art Gallery, Buffalo; Dayton Art Institute, Dayton. 2000-2002.
Akuizitadur 1931: bequeathed by Henry Walters
Enskrivadurioù

Signature ha(g) deiziad bottom-left corner:

J.Ingres / 1842
Daveennoù
Mammenn Walters Art Museum: Home page  Info about artwork
Aotre
(Adimplij ar restr-mañ)
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This is a faithful photographic reproduction of an original two-dimensional work of art. The work of art itself is in the public domain for the following reason:

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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

The author died in 1867, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

Rummet eo bet ar restr-mañ e-touez ar restroù hep strishadurioù implij anavezet evit ar pezh a sell ouzh ar gwirioù aozer, ha kement-se evit an holl wirioù kar ha stag.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
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Odalisque with Slave (1842), oil on canvas, 76 x 105 cm. Walters Art Gallery, Baltimore, Maryland

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Odalisque with Slave saozneg

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red25 Meu 2012 da 23:59Munud eus stumm an 25 Meu 2012 da 23:591 799 × 1 318 (2,84 Mio)File Upload Bot (Kaldari)== {{int:filedesc}} == {{Walters Art Museum artwork |artist = Jean-Paul Flandrin (French, 1811-1902) |title = ''Odalisque with Slave'' |description = {{en|An odalisque (female member of a harem) reclines exposed in the harem l...

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